There’s also finally an “Operate While Unlocked” option so you can use controls without constantly locking and unlocking patches. And you get real “probing” of data flowing through patch cords by hovering over the cords.
Group dragging and whatnot finally works the way it should, without accidentally selecting other objects. You can patch and unpatch objects just by dragging them in and out of patch cords, instead of doing this in multiple steps. Patching works better, and other stuff that will make you say “finally”Īctually, this may be the bit that a lot of long-time Max users find most exciting, even despite the banner features. There’s full NPM support, which is to say all the ability to share code via that package manager is now available inside Max. NodeJS support lets you run Node applications from inside a patch – for extending what Max can do, running servers, connecting to the outside world, and whatnot. This is I suspect a pretty big deal for a lot of Max patchers who moonlight in some JavaScript coding. It’s slightly disappointing they didn’t cover OSC messages with the same interface, though, given this is Max. The whole implementation looks very much borrowed from Ableton Live, down to the list of mappings for keyboard and MIDI. Computer keyboard mappings work the same way. Mappings lets you MIDI learn from controllers, keyboards, and whatnot, just by selecting a control, and moving your controller. That was present in open code environment SuperCollider, for instance, if you were willing to put in some time learning SC’s code language. It’s just a much easier way to work with a lot of stuff at once. MC means the ability to use a small number of objects and cords to do a lot – from spatial sound to mass polyphony to anything else that involves multiples. MPE assignments (from controllers like the Linnstrument and ROLI Seaboard)? MC. Synthesis approaches with loads of oscillators (like granular synthesis or complex additive synthesis)? MC. But it’s also about way more than that – and it addresses one of the most significant limitations of the Max/Pd patching paradigm. So, yes, this is about multichannel audio output and spatial audio. You can edit multiple objects all at once. A single patch cord can incorporate any number of channels. Any sound object can be made into multiples, just by typing mc. But Max’s new MC approach makes this far easier and more powerful. It’s always been possible to do multichannel patching – and therefore support multichannel audio (as with spatial sound) – in Max and Pure Data. Mario Nieto World - Random Filter Generator 2 Isotonik Studios Evabeat - Melody Sauce Generator v1.0.2Īudiomodern - Random Riff Generator Pro 2Īudiomodern - Random Groove Generator ProĪudiomodern - Random Chords Generator Pro Isotonik Studios - Chaos Culture MIDI Modulators Amazing Noise - Density.m4l and Pulsaret.m4l bundle for Ableton Live
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